Understand

Module 5: Minor Keys & Compound Time

Harmonic and melodic minor, and feeling beats in threes in 6/8, 9/8 and 12/8.

Class codeWXKA

Module 5

Minor Keys & Compound Time

Harmonic and melodic minor, and feeling beats in threes in 6/8, 9/8 and 12/8.

0 of 3 lessons0%
Raise the 7th for a stronger pull home

In natural minor the 7th note sits a whole tone below the tonic, so it doesn't pull strongly home. Raise it by a semitone and it becomes a leading note, just like in a major key. In A minor, G becomes G♯.

This also turns chord V into a major chord (E major in A minor), which is why minor-key cadences use it. The gap between the 6th and the raised 7th (F to G♯) is an augmented 2nd - three semitones - and gives harmonic minor its distinctive sound.

  • Harmonic minor = natural minor with a raised 7th
  • The raised 7th is written as an accidental, never in the key signature
  • The augmented 2nd between degrees 6 and 7 is the tell-tale sound

A harmonic minor

𝄞12♭345♭6♯78

Listen for the wide step from F to G♯ near the top.

Key takeaways

  • • Raise the 7th only
  • • Creates a leading note and a major chord V
  • • Augmented 2nd between 6 and 7

Try it in the Toolbox

Test yourself

1 / 2

In A harmonic minor, which note is raised?

Module 5 quiz

Tick off all 3 lessons to unlock the quiz.

Minor Scale Challenge

Build natural, harmonic and melodic minor scales on the stave.

Finish the lessons for the full challenge, or jump in now for a taster.